Book of the Month

Much Ado About Numbers by Rob Eastaway

What’s the connection between Shakespeare and maths? A lot as it turns out.

Shakespeare grew up in a time of remarkable mathematical innovation. From astronomy to probability, music to multiplication, new mathematical ideas were taking off — and much of this was reflected in his work. In this highly engaging book, award-winning author Rob Eastaway explores the surprising and entertaining ways that maths and numbers cop up in Shakespeare’s plays.

Find out how Tudors multiplied, why Shakespeare never ended a line with the word orange, and why dice-playing was a serious hazard for the unwary. With historical asides about games, optics, astronomy, music and magic, you will never think about maths, history or Shakespeare the same way again.

Link to Warwick’s (La Jolla): Hardcover

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She Speaks! What Shakespeare’s Women Might Have Said By Harriet Walter

Harriet Walter is one of Britain’s most esteemed Shakespearean actors. Now, having played most of Shakespeare’s female characters, audaciously, she lets them speak their minds. With new parts for thirty Shakespearean women, written in `Shakespearean’ verse and prose, Harriet Walter goes between the lines of the plays to let us hear what she imagines — sometimes playfully and sometimes searchingly — these women were really thinking. Here’s what Gertrude longed to say; why Lady Macbeth felt she should be King; how Juliet’s nurse bemoaned her loss; why Ariel is anxious about freedom and what Cleopatra’s handmaidens really thought of her. Ophelia surprises us, Olivia surprises herself and Miranda glimpses the future; these pieces are alongside other brilliant insights, from the servants to the sovereigns.

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Stalking Shakespeare by Lee Durkee

Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point.

Stalking Shakespeare is Durkee’s fascinating memoir about a hobby gone awry, the 400-year-old myriad portraits attached to the famous playwright, and Durkee’s own unrelenting search for a lost picture of the Bard painted from real life. As Durkee becomes better at beguiling curators into testing their paintings with X-ray and infrared technologies, we get a front-row seat to the captivating mysteries—and unsolved murders—surrounding the various portraits rumored to depict Shakespeare.
A bizarre and surprisingly moving blend of biography, art history, and madness, Stalking Shakespeare is a journey that will forever change the way you look at one of history’s greatest cultural and literary icons.

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Shakespeare Up Close: Reading Early Modern Texts by Russ McDonald, Nicholas D. Nace and Travis D. Williams

This landmark collection of essays by leading international scholars, offers expert close readings of Shakespeare and other early modern authors. The book is an intervention into current critical methodology as well as an invaluable tool for all students of the literature of the period, exemplifying the possibilities of close reading in the hands of a range of gifted practitioners. Chapters cover a range of key texts from Shakespeare and other major writers of the period such as Milton, Donne, Jonson and Sidney.

This is a unique collection as no other book offers such a rich variety of self-contained, short-form close readings. As such it can be used in the undergraduate classroom as well as by scholars and post-graduates and will also appeal to literary readers with an enthusiasm for Shakespeare. Contributors include leading Shakespeareans Stanley Wells, Stanley Fish, Coppelia Kahn and Lukas Erne.

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Shakespeare Saved My Life by Laura Bates

In this captivating memoir, Shakespeare professor and prison volunteer Laura Bates takes us on an extraordinary journey through the darkest corners of incarceration, where she shares the incredible story of a prisoner’s redemption through the timeless words of William Shakespeare. Shakespeare Saved My Life is a riveting testament to the transformative power of literature, showcasing how the universal themes of love, betrayal, forgiveness, and redemption resonate even in the harshest of circumstances. Bates’s poignant narrative highlights the resilience of the human spirit and the potential for personal growth, no matter the circumstances. With its masterful blend of gripping storytelling and literary analysis, this book offers a unique perspective on Shakespeare’s enduring relevance. It provides an illuminating exploration of the Bard’s works as a catalyst for personal introspection, self-discovery, and emotional healing.

Ideal for both Shakespeare enthusiasts and those interested in the transformative power of literature, Shakespeare Saved My Life is a must-read memoir that celebrates the redemptive power of words and serves as a powerful reminder of the universal human connection that literature can forge.

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Brutus and Other Heroines by Harriet Walter

In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters.What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played?

In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles.

The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations.

Link to Warwick’s (La Jolla): Paperback

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Shakespeare: The Man who Pays the Rent by Judi Dench

Taking a curtain call with a live snake in her wig, cavorting naked through the Warwickshire countryside painted green, acting opposite a child with a pumpkin on his head… These are just a few of the things Dame Judi Dench has done in the name of Shakespeare.

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O’Hea, she guides us through Shakespeare’s plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans. Interspersed with vignettes on audiences, critics, company spirit and rehearsal room etiquette, she serves up priceless revelations on everything from the craft of speaking in verse to her personal interpretations of some of Shakespeare’s most famous scenes, all brightened by her mischievous sense of humour, striking level of honesty and a peppering of hilarious anecdotes, many of which have remained under lock and key until now.

Instructive and witty, provocative and inspiring, this is ultimately Judi’s love letter to Shakespeare, or rather, The Man Who Pays The Rent.

Link to Warwick’s (La Jolla): Hardcover

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The Actor Speaks by Patsy Rodenburg

From the bestselling author of The Right to Speak and The Need for Words comes this revised edition of the essential guide to voice work: The Actor Speaks. Beginning with what every first-year acting student faces in class and ending with what leading professional actors must achieve every night on stage, Patsy Rodenburg’s celebrated work as one of the world’s foremost voice and acting coaches is fully revealed in this thoughtful and inspirational book about acting.

Written for the training and working actor, Rodenburg’s book brings to life a wide range of exercises and methods to release the actor’s voice, allowing the reader to perform every night, reaching the pitch, passion and vocal intensity that the best roles require.

Revisited and revised for this new edition, The Actor Speaks is the ultimate voice book for actors.

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Actors on Guard by Dale Girard

Actors on Guard is the most comprehensive and detailed book on the art of theatrical swordplay available today. It provides the reader with the historical, theoretical and practical basis for learning, practicing and presenting theatrical sword fights. Focusing specifically on the Elizabethan rapier and dagger (the most popular weapons used in stage fights), Actors on Guard provides actors, directors, teachers, stage managers and technicians the skills and knowledge essential to presenting safe and effective fights, both for stage and screen.

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Hag-seed by Margaret Atwood

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison.

Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own.

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Lady Macbeth by Susan Fraser King

Lady Gruadh—Rue—is the last female descendant of Scotland’s most royal line. Married to a powerful northern lord, she is widowed while still carrying his child and forced to marry her husband’s murderer: a rising warlord named Macbeth. As she encounters danger from Vikings, Saxons, and treacherous Scottish lords, Rue begins to respect the man she once despised. When she learns that Macbeth’s complex ambitions extend beyond the borders of the vast northern region, she realizes that only Macbeth can unite Scotland. But his wife’s royal blood is the key to his ultimate success.  

Determined to protect her son and a proud legacy of warrior kings and strong women, Rue invokes the ancient wisdom and secret practices of her female ancestors as she strives to hold her own in a warrior society. Finally, side by side as the last Celtic king and queen of Scotland, she and Macbeth must face the gathering storm brought on by their combined destiny.

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How To Think Like Shakespeare by Scott Newstok

A lively and engaging guide to vital habits of mind that can help you think more deeply, write more effectively, and learn more joyfully, How to Think like Shakespeare is a brilliantly fun exploration of the craft of thought—one that demonstrates what we’ve lost in education today, and how we might begin to recover it. In fourteen brief chapters that draw from Shakespeare’s world and works, and from other writers past and present, Scott Newstok distills enduring practices that can make learning more creative and pleasurable.

Challenging a host of today’s questionable notions about education, Newstok shows how mental play emerges through work, creativity through imitation, autonomy through tradition, innovation through constraint, and freedom through discipline. It was these practices, and a conversation with the past—not a fruitless obsession with assessment—that nurtured a mind like Shakespeare’s. And while few of us can hope to approach the genius of the Bard, we can all learn from the exercises that shaped him.

Written in a friendly, conversational tone and brimming with insights, How to Think like Shakespeare enacts the thrill of thinking on every page, reviving timeless—and timely—ways to stretch your mind and hone your words.

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Living with Shakespeare by Susannah Carson

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites forty actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

We hear from James Earl Jones on reclaiming Othello as a tragic hero, Julie Taymor on turning Prospero into Prospera, Camille Paglia on teaching the plays to actors, F. Murray Abraham on gaining an audience’s sympathy for Shylock, Sir Ben Kingsley on communicating Shakespeare’s ideas through performance, Germaine Greer on the playwright’s home life, Dame Harriet Walter on the complexity of his heroines, Brian Cox on social conflict in his time and ours, Jane Smiley on transposing King Lear to Iowa in A Thousand Acres, and Sir Antony Sher on feeling at home in Shakespeare’s language. Together these essays provide a fresh appreciation of Shakespeare’s works as a living legacy to be read, seen, performed, adapted, revised, wrestled with, and embraced by creative professionals and lay enthusiasts alike.

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New Boy by Tracy Chevalier

Arriving at his fifth school in as many years, diplomat’s son Osei Kokote knows he needs an ally if he is to survive his first day—so he’s lucky to hit it off with Dee, the most popular girl in school. But one student can’t stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players—teachers and pupils alike—will never be the same again.

The tragedy of Othello is transposed to a 1970s suburban Washington schoolyard, where kids fall in and out of love with each other before lunchtime, and practice a casual racism picked up from their parents and teachers. Peeking over the shoulders of four 11 year olds—Osei, Dee, Ian, and his reluctant “girlfriend” Mimi—Tracy Chevalier’s powerful drama of friends torn apart by jealousy, bullying, and betrayal will leave you reeling.

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The Wheel of Fire by G. Wilson Knight

Originally published in 1930, this classic of modern Shakespeare criticism proves both enlightening and innovative. Standing head and shoulders above all other Shakespearean interpretations, this is the masterwork of the brilliant English scholar, G. Wilson Knight. Founding a new and influential school of Shakespearean criticism, Wheel of Fire was Knight’s first venture in the field – his writing sparkles with insight and wit, and his analyses are key to contemporary understandings of Shakespeare.

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Lincoln and Shakespeare by Michael Anderegg

Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln’s fascination with and knowledge of Shakespeare’s plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted from the Bard’s work often when with company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln’s particular interest in Macbeth and Hamlet and in Shakespeare’s historical plays, where we see themes that resonated deeply with the president—the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule.

This month’s book was suggested by Gordon Gidlund. Thank you, Gordon!

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Shakespeare in Swahililand: In Search of A Global Poet by Edward Wilson-Lee

Shakespeare in Swahililand tells the unexpected literary history of Shakespeare’s influence in East Africa. Beginning with Victorian-era expeditions in which Shakespeare’s works were the sole reading material carried into the interior, the Bard has been a vital touchstone throughout the region. His plays were printed by liberated slaves as some of the first texts in Swahili, performed by Indian laborers while they built the Uganda railroad, used to argue for native rights, and translated by intellectuals, revolutionaries, and independence leaders.

Weaving together stories of explorers staggering through Africa’s interior, eccentrics living out their dreams on the savanna, decadent émigrés, Cold War intrigues, and even Che Guevara, Edward Wilson-Lee―a Cambridge lecturer raised in Kenya―tallies Shakespeare’s influence in Zanzibar, Kenya, Tanzania, Uganda, Ethiopia, and Sudan. Traveling through these countries, he speaks with everyone from theater directors and academics to soldiers and aid workers, discovering not only cultural dimensions traceable to Shakespeare’s plays but also an overwhelming insistence that these works provide a key insight into the region.An astonishing work of empathy and historical vision, Shakespeare in Swahililand gets at the heart of what makes Shakespeare so universal and the role that his writings have played in thinking about what it means to be human.

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Appreciating Shakespeare by Gideon Rappaport

Appreciating Shakespeare makes easily available the essential tools for understanding and enjoying Shakespeare’s plays and poems, which means experiencing the deep and thrilling meanings of his works.

Part 1 offers the background knowledge–about Shakespeare’s life, language, poetic and dramatic techniques, theatrical context, and historical and cultural background–that help you to appreciate Shakespeare’s works. Part 2 offers short essays on twenty-two plays, pointing readers to the universally meaningful heart of each and illuminating themes often hidden or misrepresented in many stage and screen productions and critical writings. There is also a chapter dedicated to analysis of a selection of Shakespeare’s sonnets.

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How To Direct Shakespeare by Adrian Noble

Practical, inspirational and steeped in the wisdom and expertise of one of the great Shakespearean directors of our age, How to Direct Shakespeare guides you through each step of a production, from conception to final presentation to an audience. Drawing on examples from his work as artistic director of The Royal Shakespeare Company and subsequent directing work that has taken him all over the world, Noble shows how every production is shaped by a vision of the world – the interplay of the writer’s vision and the director’s interpretation of it. How to Direct Shakespeare will inspire and equip you as you develop your vision for your next production.

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Advice From The Players by Laura Barnett

Actors know the best source of advice on the profession is other actors. Nothing compares with the wisdom and practical know-how acquired through years of working in the business. Advice from the Players features a host of tips and guidance on every aspect of the actor’s craft, direct from some of the stars of stage and screen.

Candid, passionate, sometimes contradictory, often very funny – Advice from the Players is a book to turn to whenever you’re in need of guidance or inspiration, whether you’re a working actor, at drama school, or involved in amateur theatre. It is also an invaluable introduction for those considering a career in the performing arts, and a fascinating read for anyone who wants to know what it’s really like to be a working actor.

Link to Warwick’s (La Jolla): Paperback

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Shakespeare, Elizabeth and Ivan: The Role of English-Russian Relations in Love’s Labour’s Lost by Rima Greenhill

Shakespeare’s comedy Love’s Labour’s Lost has perplexed scholars and theatergoers for over 400 years due to its linguistic complexity, obscure topical allusions and decidedly non-comedic ending. According to traditional interpretations, it is Shakespeare’s “French” play, based on events and characters from the French Wars of Religion.

This work argues that the play’s French surface conceals a Russian core. It outlines an interpretation of Love’s Labour’s Lost rooted in diplomatic and trade relations between Russia and Elizabethan England during the dramatic decades following England’s discovery of a northern trade route to Muscovy in 1553. Drawing on original research of 16th-century sources in English, Latin and French, the text also surveys Russian sources previously unavailable in translation. This analysis provides new explanations for some of the play’s previously most enigmatic elements, such as its unconventional ending, the significance of its secondary characters, linguistic anomalies and the Masque of the Muscovites itself.

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My Name is Will: A Novel of Sex, Drugs, and Shakespeare by Jess Winfield

Willie Shakespeare Greenberg is not living up to his name. It’s 1986, and instead of finishing his thesis on the Bard, this grad student is saying “yes” to drugs, bedding coeds, and delivering a giant psychedelic mushroom to a mysterious collector. Meanwhile (or rather, back in 1582), would-be playwright William Shakespeare is an eighteen-year-old Latin teacher whose world is turned upside down when a stranger entrusts him with a sacred relic from Rome, drawing him into an underground network of Catholic dissidents. When the lives of Willie and William begin to eerily intertwine, their wild misadventures will shape not only the “Shakespeare” each is destined to become…but the very course of history itself.

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The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper

As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant?

Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.

Combining piercing analysis of race, gender, and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses, and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.

Link to Warwick’s (La Jolla): Hardcover

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Searching for Juliet by Sophie Duncan

Juliet Capulet is the heartbeat of the world’s most famous love story. She is an enduring romantic icon. And she is a captivating, brilliant, passionate teenage girl who is read and interpreted afresh by each new generation.

Searching for Juliet takes us from the Renaissance origin stories behind William Shakespeare’s child bride to the boy actor who inspired her creation onstage. From enslaved people in the Caribbean to Italian fascists in Verona, and real-life lovers in Afghanistan. From the Victorian stage to 1960s cinema, Baz Luhrmann, and beyond.Sophie Duncan draws on rich cultural and historical sources and new research to explore the legacy and reach of Romeo and Juliet far beyond the literary sphere. With warmth, wit, and insight, she shows us why Juliet is for now, for ever, for everyone.

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Shakespeare & The Loss of Eden by Catherine Belsey

In a harsh, uncaring world the family is valued as a source of warmth and stability. At the same time, we are increasingly compelled to recognize that families can be oppressive both physically and emotionally. Catherine Belsey’s richly illustrated account of Shakespeare’s plays, in conjunction with early modern images of Adam and Eve, locates the construction of family values in cultural history and politics. She shows the pleasures and anxieties generated in the period by the domestication of desire, parental love and cruelty and the relations between siblings – and discusses how Shakespeare’s plays explore these themes.

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The Heavens by Sandra Newman

New York, late summer, 2000. A party in a spacious Manhattan apartment, hosted by a wealthy young activist. Dozens of idealistic twenty-somethings have impassioned conversations over takeout dumplings and champagne. The evening shines with the heady optimism of a progressive new millennium. A young man, Ben, meets a young woman, Kate―and they begin to fall in love. ate lives with her head in the clouds, so at first, Ben isn’t that concerned when she tells him about the recurring dream she’s had since childhood. In the dream, she’s transported to the past, where she lives a second life as Emilia, the mistress of a nobleman in Elizabethan England. But for Kate, the dream becomes increasingly real, to the point where it threatens to overwhelm her life. And soon she’s waking from it to find the world changed―pictures on her wall she doesn’t recognize, new buildings in the neighborhood that have sprung up overnight. As Kate tries to make sense of what’s happening, Ben worries the woman he’s fallen in love with is losing her grip on reality.

This month’s book was suggested by Michael Reynolds. Thank you, Michael!

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The Shakespeare Requirement by Julie Schumacher

Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she’s not sharing. The lavishly funded Econ Department keeps siphoning off English’s meager resources and has taken aim at its remaining office space. And Fitger’s attempt to get a mossbacked and antediluvian Shakespeare scholar to retire backfires spectacularly when the press concludes that the Bard is being kicked to the curricular curb.

Lord, what fools these mortals be! Julie Schumacher proves the point and makes the most of it in this delicious romp of satire.

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Ramón and Julieta by Alana Quintana Albertson

Ramón Montez always achieves his goals. Whether that means collecting Ivy League degrees or growing his father’s fast-food empire, nothing sets Ramón off course. So when the sexy señorita who kissed him on the Day of the Dead runs off into the night with his heart, he determines to do whatever it takes to find her again. 

 Celebrity chef Julieta Campos has sacrificed everything to save her sea-to-table taqueria from closing. To her horror, she discovers that her new landlord is none other than the magnetic mariachi she hooked up with on Dia de los Muertos. Even worse, it was his father who stole her mother’s taco recipe decades ago. Julieta has no choice but to work with Ramón, the man who destroyed her life’s work—and the one man who tempts and inspires her. 

 As San Diego’s outraged community protests against the Taco King takeover and the divide between their families grows, Ramón and Julieta struggle to balance the rising tensions. But Ramón knows that true love is priceless and despite all of his successes, this is the one battle he refuses to lose.

Link to Warwick’s (La Jolla): Paperback

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Lady of the Play by Deena Lindstedt

Was Elizabeth (Ely) Trentham only just the second wife of Edward deVere, the 17th Earl of Oxford? Or, should she be properly recognized as the authentic Shakespeare?

The story of the genius of Ely is revealed, from her childhood to the ten years as a maid of honor to Queen Elizabeth I, her marriage to deVere and their collaboration, and why they needed to hire Wm Shaksper as their front. After Edward’s death in 1604, Ely continues to write plays until her death in 1612, the same year “Shakespeare” retires. Unbeknownst to anyone, Ely leaves clues behind waiting to be discovered even though it will take four-hundred years to do so.

Interwoven into the story of Ely is the modern story of Cynthia Parsons, a history teacher who is convinced Ely and Edward collaborated. Cynthia’s life includes friendships and romance, but researching the truth about Ely remains her primary focus. She receives help from a librarian friend and an attorney and together they search for evidence to prove who actually deserves the title “Shakespeare.” When Cynthia finds the clues left behind by Ely, there are those who will use any means to keep Cynthia from revealing her discoveries.

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The Science of Shakespeare by Dan Falk

William Shakespeare lived at a remarkable time―a period we now recognize as the first phase of the Scientific Revolution. New ideas were transforming Western thought, the medieval was giving way to the modern, and the work of a few key figures hinted at the brave new world to come: the methodical and rational Galileo, the skeptical Montaigne, and―as Falk convincingly argues―Shakespeare, who observed human nature just as intently as the astronomers who studied the night sky.

In The Science of Shakespeare, we meet a colorful cast of Renaissance thinkers, including Thomas Digges, who published the first English account of the “new astronomy” and lived in the same neighborhood as Shakespeare; Thomas Harriot―”England’s Galileo”―who aimed a telescope at the night sky months ahead of his Italian counterpart; and Danish astronomer Tycho Brahe, whose observatory-castle stood within sight of Elsinore, chosen by Shakespeare as the setting for Hamlet―and whose family crest happened to include the names “Rosencrans” and “Guildensteren.” And then there’s Galileo himself: As Falk shows, his telescopic observations may have influenced one of Shakespeare’s final works.

Link to Amazon: Hardcover

A Natural Perspective by Northrop Frye

In A Natural Perspective, Frye maintains that Shakespeare’s comedy is widely misunderstood and underestimated, and that the four romances– Pericles, Cymbeline, The Winter’s Tale, and The Tempest–are the inevitable culmination of the poet’s career.

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Shakespeare’s Festive World by François Laroque

François Laroque’s new perspective on Shakespeare’s relation to popular culture has quickly become a classic of scholarship. The book opens new possibilities for Shakespeare studies, revealing the connections between his plays and the folklore, customs, games, and celebrations of the Elizabethan festive tradition. This acclaimed study shows how Shakespeare mingled popular culture with aristocratic and royal forms of entertainment in ways that combined or clashed to produce new meaning.

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Shakespeare: The Invention of the Human by Harold Bloom

Preeminent literary critic-and ultimate authority on the western literary tradition, Harold Bloom leads us through a comprehensive reading of every one of the dramatist’s plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

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Shakespeare and Emilia: the Untold Story by Peter Bassano

Emilia Bassano was identified as the Dark Musical Lady of the Shakespeare Sonnets by A.L.Rowse in 1973. This book presents previously unpublished evidence to prove that Rowse’s identification was correct. Emilia, an early feminist poet and musician, was the daughter of the youngest of six Venetian brothers, all professional musicians, brought to London by HenryVIII in 1540 to ensure a musical wedding for Anne of Cleves. Peter Bassano, the author and a descendent of Emilia’s uncle, Anthony, suggests that Shakespeare was the father of Emilia’s son, Henry. The book does not agree with the views of John Hudson and Peter Matthews that Emilia wrote the Shakespeare canon. He believes that Shakespeare was Shakespeare but that Emilia was hugely influential on Shakespeare’s writing, particularly in his outspoken heroines. The conclusions in this book are diametrically opposed to the conclusions in the 2020 book by Paul Edmondson and Stanley Wells, All the Sonnets of Shakespeare.

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The Friendly Shakespeare by Norrie Epstein

A readable guide to the works of Shakespeare includes solid, but never too simplistic, information about the Bard’s language, life, and loves for those who want to learn about Shakespeare without wading through a morass of academic criticism.

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Hamnet by Maggie O’ Farrell

In 1580’s England, during the Black Plague a young Latin tutor falls in love with an extraordinary, eccentric young woman in this “exceptional historical novel” (The New Yorker) and best-selling winner of the Women’s Prize for Fiction.

Agnes is a wild creature who walks her family’s land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is taking off when his beloved young son succumbs to sudden fever.

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Lady Romeo: The Radical and Revolutionary Life of Charlotte Cushman, America’s First Celebrity by Tana Wojczuk

This illuminating and enthralling biography of 19th-century queer actress Charlotte Cushman portrays her radical lifestyle that riveted New York City and made headlines across America. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs.

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Thinking Shakespeare by Barry Edelstein

Thinking Shakespeare: A working guide for actors, directors, students…and anyone else interested in the Bard gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.

Link to Warwick’s (La Jolla): Paperback

Link to Amazon: Paperback and Kindle only

The Shakespeare Stealer by Gary Blackwood

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare’s play “Hamlet” – or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare’s players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama. The Shakespeare Stealer is a delightful adventure full of humor and heart set in Elizabethan England!

Link to Warwick’s (La Jolla): Paperback

Link to Amazon: All versions

1599: A Year in the Life of William Shakespeare by James Shapiro

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

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The Year of Lear: Shakespeare in 1606 by James Shapiro

In the years leading up to 1606, Shakespeare’s great productivity had ebbed. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra. It was a memorable year in England as well—a terrorist plot conceived by a small group of Catholic gentry had been uncovered at the last hour. The foiled Gunpowder Plot would have blown up the king and royal family along with the nation’s political and religious leadership. The aborted plot renewed anti-Catholic sentiment and laid bare divisions in the kingdom. It was against this background that Shakespeare finished Lear, a play about a divided kingdom, then wrote a tragedy that turned on the murder of a Scottish king, Macbeth. He ended this astonishing year with a third masterpiece no less steeped in current events and concerns: Antony and Cleopatra.

This month’s book was suggested by Laura Ganz-Holtan. Thank you, Laura!

Link to Warwick’s (La Jolla): Paperback or Hardcover

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As She Likes It by Lori M. Myers et al.

As She Likes It is an anthology of short plays that features women from Shakespeare’s canon. The characters step outside of the male-dominated context of their original works, sometimes into another time and place. These familiar women from classic stories may have had muted voices in Shakespeare’s plays, but here they take center stage to discuss the choices they have made and navigate the power structures that have controlled their lives. These plays offer great roles for women, opportunities for thoughtful scene study, educational exploration and a larger conversation about how these women’s stories resonate in our current era. Written by Lori M. Myers, Sean Adams, Marjorie Bicknell, David Nice, Sue Lange, Barbara Trainin Blank and Sandra Fenichel Asher

Link to Dramatic Publishing: Script

Women of Will: The Remarkable Evolution of Shakespeare’s Female Characters by Tina Packer

Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.

Link to Warwick’s (La Jolla): Paperback or Hardcover

Link to Amazon: Paperback

Bardisms: Shakespeare for All Occasions by Barry Edelstein

From renowned Shakespearean director Barry Edelstein comes Bardisms: a straightforward, accessible guide to using Shakespeare’s wit and wisdom at special occasions of every type. Over the course of his career, Edelstein has directed more than half of Shakespeare’s plays, and he brings all his passion, insight, and years of study to Bardisms.

Link to Warwick’s (La Jolla): Paperback or Hardcover

Link to Amazon: All versions